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00:00:00I take myself as a reference
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00:00:01Here this ray of light is the facade of the lottery and with the cursor I go to the line and when I get to the bottom I extend it towards the middle
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00:00:12And then a trick to make the transition between photo and photo as fluid as possible.
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00:00:19What I usually do is in the center of the photo pull forward and take a point
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00:00:25reference
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00:00:26Here I am taking it, here there are like two screens or two boxes so I put the cursor in this column here
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00:00:35And I go forward and I see that I have gone to the screen on the right that should have
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00:00:41gone here
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00:00:42So since it has gone to the right my trick or my advice is, we come back because we are
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00:00:48In this view, when you click on the view, move to the right, which is where
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00:00:53It's gone and I'm doing preview again with control from here
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00:00:59And so I adjust the two views, the one going and the one returning
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00:01:03Okay, we go back and the same way I take a reference point and I see that now it is
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00:01:12has gone a little backwards
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00:01:14I put the cursor, now I am navigating with the keyboard cursor arrows
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00:01:18Well, I place my reference point and I see that it goes to the left, slightly towards
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00:01:25the left
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00:01:26So let's move it a little less.
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00:01:30I'm also going to go to this point and check how the return or outbound trip is, it depends on where we are looking.
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00:01:39I put the point here in this security separator
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00:01:46And here, for example, it is more fluid, this one is fluid and this one is already fluid.
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00:01:54You see the cursor, it takes me there, that's what I do when I add any hotspot
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00:02:06Now it's going more smoothly, we're going back
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00:02:09No, now you see, if we put the cursor on the box of the photo machine it goes to the column
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00:02:19So this has to be moved to the left.
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00:02:24It goes this way, so we move it this way
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00:02:28We preview again
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00:02:31Now the transition is more fluid and we go back
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00:02:36And I take these two supports as a reference and it took me to the one on the left
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00:02:41Let's see, since these are different times, I'm going to look at something that hasn't changed, which is the hat.
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00:02:47I come forward, the hat
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00:02:50No, you see, if I take this piece of hat as a reference, it has gone towards the center.
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00:02:56Then a little more, we return and thus adjust completely
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00:03:02A little more to the center
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00:03:03Well, for example, what we have said, if it was on the line, it is very likely that it is there.
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00:03:13Now yes
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00:03:14And now here too
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00:03:19This trick to linearize navigation is not explained anywhere, but as a result of trial and error, by varying and trying, you see that it refines the connection between a photo
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00:03:33and the other
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00:03:34The algorithm or system that 3D Vista uses to join one photo with the other, well we don't know
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00:03:42exactly how it works
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00:03:44But for example here we already have more fluid navigation and the return is exactly the same.