• I take myself as a reference .
• Here this ray of light is the facade of the lottery and with the cursor I go to the line and when I get to the bottom I extend it towards the middle .
• And then a trick to make the transition between photo and photo as fluid as possible. .
• What I usually do is in the center of the photo pull forward and take a point .
• reference .
• Here I am taking it, here there are like two screens or two boxes so I put the cursor in this column here .
• And I go forward and I see that I have gone to the screen on the right that should have .
• gone here .
• So since it has gone to the right my trick or my advice is, we come back because we are .
• In this view, when you click on the view, move to the right, which is where .
• It's gone and I'm doing preview again with control from here .
• And so I adjust the two views, the one going and the one returning .
• Okay, we go back and the same way I take a reference point and I see that now it is .
• has gone a little backwards .
• I put the cursor, now I am navigating with the keyboard cursor arrows .
• Well, I place my reference point and I see that it goes to the left, slightly towards .
• the left .
• So let's move it a little less. .
• I'm also going to go to this point and check how the return or outbound trip is, it depends on where we are looking. .
• I put the point here in this security separator .
• And here, for example, it is more fluid, this one is fluid and this one is already fluid. .
• You see the cursor, it takes me there, that's what I do when I add any hotspot .
• Now it's going more smoothly, we're going back .
• No, now you see, if we put the cursor on the box of the photo machine it goes to the column .
• So this has to be moved to the left. .
• It goes this way, so we move it this way .
• We preview again .
• Now the transition is more fluid and we go back .
• And I take these two supports as a reference and it took me to the one on the left .
• Let's see, since these are different times, I'm going to look at something that hasn't changed, which is the hat. .
• I come forward, the hat .
• No, you see, if I take this piece of hat as a reference, it has gone towards the center. .
• Then a little more, we return and thus adjust completely .
• A little more to the center .
• Well, for example, what we have said, if it was on the line, it is very likely that it is there. .
• Now yes .
• And now here too .
• This trick to linearize navigation is not explained anywhere, but as a result of trial and error, by varying and trying, you see that it refines the connection between a photo .
• and the other .
• The algorithm or system that 3D Vista uses to join one photo with the other, well we don't know .
• exactly how it works .
• But for example here we already have more fluid navigation and the return is exactly the same. .